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Unbeknownst to the church elders, Jan and his friends have substituted bags of sand for Bess's body inside the sealed coffin. The church refuses to hold a funeral for her, deeming her soul to be lost and hell-bound.

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It is then that Bess decides to make what she thinks is the ultimate sacrifice for Jan: she unflinchingly goes out to a derelict ship full of barbarous sailors, who violently gang rape and attack her, causing her death. You can only love a human being.'Дodo and Jan's doctor agree the only way to keep Bess safe from herself is to have her committed, and as far away from her husband as possible. In the face of being cast out from her church, she proclaims, 'You cannot love words. The entire village is scandalized by these doings, and Bess is excommunicated. Bess throws herself at Jan's doctor, but when he rebuffs her, she takes to picking up men off the street and allowing herself to be brutalized in increasingly cruel sexual encounters. Despite her repulsion and inner turmoil to be with other men, she perseveres in her own sexual debasement as she believes it will save her husband. Though her sister-in-law Dodo constantly reassures her that nothing she does will affect his recovery, Bess begins to believe these suggestions are the will of God and in accordance with loving Jan wholly. He urges Bess to find another lover and tell him the details, as it will be as if they are together and will revitalize his spirits. He falls unconscious and is readmitted to hospital. Jan then attempts to commit suicide and fails. No longer able to perform sexually and mentally affected by the paralysis, Jan asks Bess to find a lover. Bess believes her prayer was the reason the accident occurred, that God was punishing her for her selfishness in asking for him to neglect his job and come back to her. The next day, Jan is severely injured in an industrial accident and is flown back to the mainland. Bess grows needy and prays for his immediate return. Jan makes occasional phone calls to Bess in which they express their love and sexual desires. During her frequent visits to the church, she prays to God and carries on conversations with Him in her own voice, believing that He is responding directly through her.Д«ess has difficulty living without Jan when he is away on the oil platform. Bess is steadfast and pure of heart, but quite simple and childlike in her beliefs.

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She marries oil rig worker Jan Nyman, a Danish non-churchgoer, despite disapproval from her community and her Free Scottish Presbyterian Calvinist church. Д«ess McNeill is a young and beautiful Scottish woman, who has, in the past, been subjected to unenlightened psychiatric 'treatment'. The film was critically well-received, with Watson's performance drawing acclaim as well as a nomination for the Academy Award for Best Actress. Breaking the Waves has been described as 'perhaps von Trier's most widely acclaimed film', and has won numerous awards, including the Grand Prix at the 1996 Cannes Film Festival. ДЄs von Trier's first film made after his founding of the Dogme 95 movement, it is heavily influenced by the movement's style and ethos, although the film breaks several of the rules laid out by the movement's manifesto. It is the first film in Trier's Golden Heart Trilogy, which also includes The Idiots (1998) and Dancer in the Dark (2000). The film is an international co-production led by von Trier's Danish company Zentropa. Set in the Scottish Highlands in the early 1970s, it is about an unusual young woman and of the love she has for her husband, who asks her to have sex with other men when he becomes immobilized from a work accident. Breaking the Waves is a 1996 drama film directed and co-written by Lars von Trier and starring Emily Watson.